描述
神话般的法式浪漫色情版图。一场放荡的晚宴，有12名参与者，桌子上放有香槟和酒杯，贵妇们正在脱衣服。萨德侯爵在为客人准备的香槟中倒入了强力壮阳药，让他们在几个小时内失去行为意识，并将他们的肉体交给恶魔。色彩鲜艳，绘画精湛。
关于贝蒂娜·史密斯
出生于德国，常驻巴黎和纽约的艺术家，她的作品依靠抒情影响观者。她的设计简约而不简单；正如她所说，绝对抽象的作品可能源于“所见之物”，但她会注意“收集视觉创意”，并通过节奏和重复创作出色彩缤纷引人入胜的画作。
虽然她的艺术近乎奇思妙想，她的抽象表现出强烈的纽约学派气息。但她的画中仍然保留着基于欧洲的克制，这使其作品很大程度上即使在轻松时也有一定的严肃性。 事实上，严谨的创意和异想天开的热情之间的张力是她艺术的核心。
UNE FÊTE NOCTURNE CHEZ LE MARQUIS DE SADE A LA FIN DU XVIII SIÉCLE. POCHOIR COLOR ILLUSTRATION.
feuille de papier:22×30cm
gravure au trait:14,5×24cm,
érotisme gravure au pochoir de BETTINA SMITH
Edité par Paris, 1920
Très bon état de l’ensemble.
Une Fete Nocturne chez le Marquis de Sade, a la Fin du XVIIIe Siecle; Ayant versé dans les coupes de champagne destinées à ses invités un puissant aphrodisiaque， le Marquis de Sade leur fit perdre pour quelques heures la conscience de leurs gestes et il les livra au démon de la chair.
Nocturnal Feast at the Marquis de Sade’s at the End of the Eighteenth Century
eroticism stencil engraving by BETTINA SMITH
Marquis de Sade (1740-1814), French aristocrat and writer of works concerning sexual freedom;Nocturnal Feast at the Marquis de Sade’s at the End of the Eighteenth Century,colour litho.
Paris: Ca. 1920. Print. Seperatly published, fabulous erotic French pochoir color illustration. A debauched dinner party with 12 participants and champagne and glasses on the table in the foreground. The women in various stages of undress. Lithograph print with pouchoir color, an intensive process that uses stencils to apply the vibrant color. Approx 30×22.5cm（Print ontology 14.5×24cm）. Very good condition.
this illustration is a separaly printed “debauched dinner”, multiple lithograph print with “pouchoir” coloured. the author is Bettina SMITH.
Jean-Pierre DUTE Collection
About Bettina SMITH
German-born, Paris- and New York-based artist Bettina Blohm paints gouache and acrylic works that rely on their lyricism to affect the viewer. Her designs are simple but never simplistic; the resolutely abstract works may stem, as she puts it, from “something seen,” but she takes care to “collect visual ideas” and produces colorful, emotionally compelling paintings through rhythm and repetition.
While her art can come close to whimsy, and her abstraction shows that she is a good student of the New York School, there remains in her paintings a possibly European-based restraint, which gives them a certain seriousness even when they are light-hearted to a high degree. Indeed, the tension between earnest intention and whimsical enthusiasm is central to her art.
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