描述

锦封一册一函全，乾隆间彩绘春画冊，绢裱设色纸本，原装旧裱。新配锦函，依然出自为奥巴马制作巧克力盒而声名大振的橫尾靖的设计。锦封配锦函的难点在于颜色，经过反复试验，最终选择了旧时大名的朝拜服，中国俗称“黄马褂”。明黄配宋锦，自我感觉良好。

公公和儿媳偷情俗称扒灰头，男子间同性恋雅称龙阳，断袖，俗称兔子。这些中国特色的性趣自古流行，见怪不怪，但绘之成册者寥寥无几。毕竟都是上不得台面的勾当，虽然古人对这些行为的包容和体谅即使现在看来也令人瞪目结舌。社会是否真的在进步？我个人持否定态度。

此册原装旧裱，除传统闺房秘趣外，另有扒灰头，龙阳癖等特殊性趣。既有一男二女的大胆淫乱，亦有白兔交配（兔子暗示男同题材），和尚调戏良家妇女的含蓄题材。以动物交配隐喻性爱常见于20世纪初欧洲印象派油画，中国画家在19世纪中期即用可爱的白兔隐喻并衬托男女思春之情，异常宝贵，目前为止仅见。

乾隆中后期伴随戏曲突飞猛进发扬光大，龙阳癖亦随之风靡中国。一时间文人雅士以包养男宠为荣，《品花宝鉴》对此有详细描述。男人和男人间的爱情往往超越世俗的男女爱情，另一方面，男子同性恋嫉妒心之强烈狠毒也远超女性。

伦敦顶级书店Shapero Rare Books旧藏，Shapero是伦敦另一享誉世界的顶级书店Robert Frew势不两立的死敌，同时也是全世界最大的图画书收藏家。书店装修之豪华几可媲美凡尔赛宫，书价之昂贵亦超乎想象。此冊70年代定价87840英镑，名副其实的巨款。

此册以绢色和封面图案看来，可确定为乾隆间绘制。龙阳一帧的水烟也间接验证了年代的推断。画家不详，道光刊慵讷居士撰《咫闻录》秘戏图一章记：“关中马振。近时画家之著名也。善工笔。一时风气。凡馈大宪礼。必有秘戏图册。而马振之所画者。即景生情。能穷闺闸之婿态”。是冊典型北派风格，工笔细致，应景生情，果能穷闺闸婿态，画家或即马振亦未可知。

参考：春夢遺葉P113-117 Visions of Traditional Sex Life（传统性生活场景）,荷蘭斐卿书局，1997年初版

everything in the garden is lovely（春色滿園）

12 EROTIC WATERCOLORS MOUNTED ON CARDBOARD OF QING DYNASTY. FINELY EXECUTED. In elaborate and neat decorations.19.6×16.5cm, 12 watercolors in a cardboard half-folder, no date, place, or author, but Rare with title.each original watercolor on cardstock representing a Chinese erotic scene, Original watercolor drawings. UNIQUE.

 

MEIGETSU CO., LTD is one of the leading international art dealers specializing Chinese, Japanese, himalayan art and CURIOSA（erotique art）, As a regular member of JADN (Japan Art Dealer Association),We guarantee all artifacts to be genuine as described. It is our policy never to deliberately list fakes as genuine. All art listed will always stated as such.

Instead of focusing on a particular domain, Galerie meigetsu concentrates on collecting peculiar and rare fine arts objects with exclusive provenance, presenting museum-quality collectibles from  Asia and Europe. Items are sourced from old noble collections and all objects are not shown anywhere else before being exhibited at the gallery.

We believe art has the power to transform lives and to build understanding across cultures.We believe that the brilliant histories of art belong to everyone, no matter their background.